Audiobooks online: genre "Narratives", page 3

Arthur Clough provides us with a timeless coming of age story involving a young Englishman studying in Scotland who falls in love. - Summary by Liam Brady...

This is a volume of narrative poems by Edwin Arlington Robinson. - Summary by Carolin...

The Divine Comedy (in Italian, Divina Commedia, or just La commedia or Comedia) is an epic poem written by Dante Alighieri in the first decades of the 14th Century, during his exile from his native Florence. Considered the most important work of Italian literature, the poem has a...

Childe Harold's Pilgrimage is a lengthy narrative poem in four parts written by Lord Byron. It was published between 1812 and 1818 and is dedicated to "Ianthe". The poem describes the travels and reflections of a world-weary young man who, disillusioned with a life of pleasure an...

Jim, an axe-man for a sawmill, who is a hard-knuckled, two-fisted fighting man when he has to be, but is shy around women, longs to find a wife and settle down. Two women, one a mercenary widow of the country town, the other a classy city girl, both set their caps for Jim. Will...

LibriVox volunteers bring you 12 recordings of Casey at the Bat by Ernst Lawrence Thayer. This was the Fortnightly Poetry project for December 16, 2012. Ernst Thayer was an American writer and poet who wrote "Casey at the Bat", the "single most famous baseball poem ever w...

The poem begins with the beloved god Balder, thought to be invulnerable, dead at the hands of the inoffensive blind god Hoder, in a game. Loki, whose deceit brought about this catastrophe, is promptly punished with exile, and Odin, Balder's father, sponsors a heroic quest to res...

Both Ovid and Spenser also treat this ancient myth, but Spenser alters the ending, converting the tale into an archetype of fulfilled love, whereas Ovid, like Shakespeare, combines humor with pathos as a buffer against sentimentality. Ovid’s Venus behaves absurdly out of characte...

The Rape of the Lock is a mock-heroic narrative poem written by Alexander Pope, first published anonymously in Lintot's Miscellany in May 1712 in two cantos (334 lines), but then revised, expanded and reissued under Pope's name on March 2, 1714, in a much-expanded 5-canto version...