Robert BURTON - The Anatomy of Melancholy Volume 1
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01 - Advertisement of the last London edition & Account of the author02 - Dedication and Argument03 - Democritus Junior to the reader part 104 - Democritus Junior to the reader part 205 - Democritus Junior to the reader part 306 - Democritus Junior to the reader part 407 - Democritus Junior to the reader part 508 - Democritus Junior to the reader part 609 - Democritus Junior to the reader part 710 - Democritus Junior to the reader part 811 - Democritus Junior to the reader part 912 - Democritus Junior to the reader part 1013 - Democritus Junior to the reader part 1114 - Democritus Junior to the reader part 1215 - Democritus Junior to the reader part 1316 - Partition 1, Section 1, Member 1, Subsection 117 - Partition 1, Section 1, Member 1, Subsections 2-518 - Partition 1, Section 1 , Member 2, Subsections 1-419 - Partition 1, Section 1 , Member 2, Subsections 5-820 - Partition 1, Section 1 , Member 2, Subsections 9 - 1121 - Partition 1, Section 1, Member 322 - Partition 1, Section 2, Member 1, Subsections 1 and 2 part 123 - Partition 1, Section 2, Member 1, Subsection 2 part 224 - Partition 1, Section 2, Member 2, Subsections 2 part 325 - Partition 1, Section 2, Member 2, Subsections 4-626 - Partition 1, Section 2, Member 2, Subsection 127 - Partition 1, Section 2 , Member 2, Subsection 228 - Partition 1, Section 2 , Member 2, Subsections 3 - 429 - Partition 1, Section 2, Member 2, Subsection 530 - Partition 1, Section 2 , Member 2, Subsections 6-731 - Partition 1, Section 2 , Member 3, Subsections 1-232 - Partition 1, Section 2 , Member 3, Subsections 3-633 - Partition 1, Section 2 , Member 3, Subsections 7-934 - Partition 1, Section 2 , Member 3, Subsection 1035 - Partition 1, Section 2 , Member 3, Subsections 11-1236 - Partition 1, Section 2 , Member 3, Subsection 1337 - Partition 1, Section 2 , Member 3, Subsection 1438 - Partition 1, Section 2 , Member 3, Subsection 15, Part 139 - Partition 1, Section 2 , Member 3, Subsection 15, Part 240 - Partition 1, Section 2 , Member 3, Subsection 15, Part 341 - Partition 1, Section 2 , Member 4, Subsections 1-242 - Partition 1, Section 2 , Member 4, Subsections 3-443 - Partition 1, Section 2 , Member 4, Subsections 5-644 - Partition 1, Section 2 , Member 4, Subsection 7, Part 145 - Partition 1, Section 2 , Member 4, Subsection 7, Part 246 - Partition 1, Section 2 , Member 547 - Partition 1, Section 3 , Member 1, Subsection 148 - Partition 1, Section 3 , Member 1, Subsection 249 - Partition 1, Section 3 , Member 1, Subsection 350 - Partition 1, Section 3 , Member 1, Subsection 451 - Partition 1, Section 3 , Member 252 - Partition 1, Section 3 , Member 353 - Partition 1, Section 4
Robert BURTON - The Anatomy of Melancholy Volume 1 book summary
The Anatomy of Melancholy Volume 1 - description and summary of the book. , listen for free online at the digital library site Audiobook-mp3.com
The Anatomy of Melancholy is a book by Robert Burton, first published in 1621. On its surface, the book is a medical textbook in which Burton applies his large and varied learning in the scholastic manner to the subject of melancholia (which includes what is now termed clinical depression).
Though presented as a medical text, The Anatomy of Melancholy is as much a sui generis work of literature as it is a scientific or philosophical text, and Burton addresses far more than his stated subject. In fact, the Anatomy uses melancholy as the lens through which all human emotion and thought may be scrutinized, and virtually the entire contents of a 17th-century library are marshalled into service of this goal.
Burton is forthright about his intentions in writing the Anatomy — "I write of melancholy by being busy to avoid melancholy," he concedes. This acknowledged desire to distract and amuse himself motivated Burton to produce a wide-ranging document, containing digressions and commentary. Whatever its strengths as a medical text or as a historical document, it is the Anatomy's vast breadth — addressing topics such as digestion, goblins, the geography of America, and others — and the particularly characteristic voice of its author that are most commonly cited by its admirers as the main sources of its appeal. Both satirical and serious in tone, the Anatomy is "vitalized by (Burton's) pervading humour", and Burton's digressive and inclusive style, often verging on a stream of consciousness, consistently informs and animates the text. (Summary from Wikipedia)
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