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01 - Chapter I: MIRIAM, HILDA, KENYON, DONATELLO02 - Chapter II: THE FAUN03 - Chapter III: SUBTERRANEAN REMINISCENCES04 - Chapter IV: THE SPECTRE OF THE CATACOMB05 - Chapter V: MIRIAM'S STUDIO06 - Chapter VI: THE VIRGIN'S SHRINE07 - Chapter VII: BEATRICE08 - Chapter VIII: THE SUBURBAN VILLA09 - Chapter IX: THE FAUN AND NYMPH10 - Chapter X: THE SYLVAN DANCE11 - Chapter XI: FRAGMENTARY SENTENCES12 - Chapter XII: A STROLL ON THE PINCIAN13 - Chapter XIII: A SCULPTOR'S STUDIO14 - Chapter XIV: CLEOPATRA15 - Chapter XV: AN AESTHETIC COMPANY16 - Chapter XVI: A MOONLIGHT RAMBLE17 - Chapter XVII: MIRIAM'S TROUBLE18 - Chapter XVIII: ON THE EDGE OF A PRECIPICE19 - Chapter XIX: THE FAUN'S TRANSFORMATION20 - Chapter XX: THE BURIAL CHANT21 - Chapter XXI: THE DEAD CAPUCHIN22 - Chapter XXII: THE MEDICI GARDENS23 - Chapter XXIII: MIRIAM AND HILDA24 - Chapter XXIV: THE TOWER AMONG THE APENNINES25 - Chapter XXV: SUNSHINE26 - Chapter XXVI: THE PEDIGREE OF MONTE BENI27 - Chapter XXVII: MYTHS28 - Chapter XXVIII: THE OWL TOWER29 - Chapter XXIX: ON THE BATTLEMENTS30 - Chapter XXX: DONATELLO'S BUST31 - Chapter XXXI: THE MARBLE SALOON32 - Chapter XXXII: SCENES BY THE WAY33 - Chapter XXXIII: PICTURED WINDOWS34 - Chapter XXXIV: MARKET-DAY IN PERUGIA35 - Chapter XXXV: THE BRONZE PONTIFF'S BENEDICTION36 - Chapter XXXVI: HILDA'S TOWER37 - Chapter XXXVII: THE EMPTINESS OF PICTURE GALLERIES38 - Chapter XXXVIII: ALTARS AND INCENSE39 - Chapter XXXIX: THE WORLD'S CATHEDRAL40 - Chapter XL: HILDA AND A FRIEND41 - Chapter XLI: SNOWDROPS AND MAIDENLY DELIGHTS42 - Chapter XLII: REMINISCENCES OF MIRIAM43 - Chapter XLIII: THE EXTINCTION OF A LAMP44 - Chapter XLIV: THE DESERTED SHRINE45 - Chapter XLV: THE FLIGHT OF HILDA'S DOVES46 - Chapter XLVI: A WALK ON THE CAMPAGNA47 - Chapter XLVII: THE PEASANT AND CONTADINA48 - Chapter XLVIII: A SCENE IN THE CORSO49 - Chapter XLIX: A FROLIC OF THE CARNIVAL50 - Chapter L: MIRIAM, HILDA, KENYON, DONATELLO
Nathaniel Hawthorne - The Marble Faun book summary
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The Marble Faun is Hawthorne's most unusual romance. Writing on the eve of the American Civil War, Hawthorne set his story in a fantastical Italy. The romance mixes elements of a fable, pastoral, Gothic novel, and travel guide. In the spring of 1858, Hawthorne was inspired to write his romance when he saw the Faun of Praxiteles in a Roman sculpture gallery. The theme, characteristic of Hawthorne, is guilt and the Fall of Man. The four main characters are Miriam, a beautiful painter who is compared to Eve, Beatrice Cenci, Lady Macbeth, Judith, and Cleopatra, and is being pursued by a mysterious, threatening Model; Hilda, an innocent copyist who is compared to the Virgin Mary; Kenyon, a sculptor, who represents rationalist humanism; and Donatello, the Count of Monti Beni, who is compared to Adam, resembles the Faun of Praxiteles, and is probably only half human. (Summary by Wikipedia)
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